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In Hollywood, a Focus on Manson and His Women

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In Hollywood, a Focus on Manson and His Women

Post by jade1013 on Fri 3 Jun - 18:05

In Hollywood, a Focus on Manson and His Women

By STEVE CHAGOLLANJUNE 3, 2016


From left in the foreground, Eden Brolin, Mackenzie Mauzy and Jeff Ward in “Manson’s Lost Girls” on Lifetime. Credit Jim Fiscus/Lifetime

Late in Season 1 of NBC’s “Aquarius,” the character of Charles Manson is confronted by his mother, who gave birth to him at 16 and abandoned him when he reached adolescence. Despite his anger and resentment, this Manson cowers in her presence and reveals a vulnerable streak at odds with the public image of him as evil incarnate.

This scene raises the question of what might have been had this man not been cast off at such a young age and had not spent more than half his life in prison, even before the heinous Tate-LaBianca murders sealed his infamy.

“Just villains are boring,” the “Aquarius” creator John McNamara said. “We live in a culture that really uses villains the way bowling uses 10 pins — to just knock them down and do it again.”

Like a recurring nightmare, the menace of Charles Manson continues to both haunt and fascinate us. The man who in 1969 orchestrated killings in Southern California, including the murder of the pregnant actress Sharon Tate, has inspired a spate of recent and forthcoming independent features and television projects. (Mr. Manson remains in prison.) And the focus seems to be shifting to his female disciples — known as the Manson family — with women handling the directing reins.

Lifetime broadcast “Manson’s Lost Girls” in February. On June 16, “Aquarius” will begin its second season, picking up in January 1968, more than 18 months before the killings. In the works are “The Family” (a working title), from the director Mary Harron and the screenwriter Guinevere Turner, who were behind the “American Psycho” film adaptation, and “Manson Girls,” an $8 million independent feature to be directed by Susanna Lo. (Also due in June from Random House is “The Girls,” Emma Cline’s novel inspired by the Manson murders.)

Amid the competition, two projects have been shelved: a limited series for Fox from Brett Easton Ellis and the horror meister Rob Zombie, and a planned biopic with James Franco as another Manson victim, Jay Sebring, a hairstylist to the stars.

Whether there is an audience demand for new interpretations of the Manson phenomenon is open to question. “Manson’s Lost Girls” — told from the point of view of Linda Kasabian, a follower turned prosecution witness — attracted about 1.8 million viewers over two broadcasts. The ratings were slightly above average for Lifetime’s Saturday night movie slot.

“Manson Family Vacation,” a half-cheeky, half-serious look at two brothers (played by Linas Phillips and Jay Duplass) who bond by touring the Manson murder sites, was released on Netflix and iTunes in the fall after making the rounds on the festival circuit.


From left, Emma Dumont, Whitney Rose and Gethin Anthony in “Aquarius” on NBC. Credit Vivian Zink/NBC

“He’s part of the American psyche now,” said Sera Gamble, an “Aquarius” writer and executive producer. “I think he pushes different buttons for different people depending on what creeps you out or what frightens you.”

Recent developments have further fueled interest. The identification in April of the body of a young Canadian woman who was found in 1969 near the site of two of the Manson family killings has led to speculation that she was another victim. That same month, parole was recommended for the convicted murderer and Manson disciple Leslie Van Houten.

“Manson is unique and terrifying because he convinced other people to do things,” Mr. McNamara said. “And he didn’t convince hardened criminals or Mafia members; he convinced suburban kids.”

This is not the first time the Manson family has been appropriated by pop culture. “Helter Skelter: The True Story of the Manson Murders,” written by the prosecutor Vincent Bugliosi and Curt Gentry, was published in 1974 and became the definitive book on the murders. Countless books and several films about the Manson family and its crimes (including two television versions of “Helter Skelter”) have since fed the public’s appetite for the subject.


Linas Phillips, left, and Jay Duplass in “Manson Family Vacation.” Credit Sean McElwee

Karina Longworth’s podcast “Charles Manson’s Hollywood,” about Mr. Manson’s complex relationship with entertainment figures and his obsession with fame, unfolded in 12 episodes last summer. She said she was fascinated by the climate of paranoia that enveloped Hollywood after the murders, and how that affected cinema.

Ms. Longworth said by phone from London that many films from that era were “directly related to this sense that none of us are safe; people who look like us can do harm to us.”

Hollywood’s fixation on Manson comes at a time when cult leaders and serial killers have joined doctors and lawyers as the television protagonists du jour. “I think in this era of ‘Making a Murder’ and ‘The Jinx,’ people are just especially fascinated by serial murder,” said Jeremy Rosen, a producer on Ms. Harron’s film “The Family.” “And I think in this time where safety is no longer a given,” he said, referring to terrorism, “I think people are just so intrigued and horrified at the same time. And for whatever reason, over 45 years later, Manson still embodies that intrigue and horror.”

“The Family,” which is scheduled to start shooting in early fall, centers on three women who were tried with Mr. Manson: Ms. Van Houten, Susan Atkins and Patricia Krenwinkel. The film is based on two books, “The Family” by Ed Sanders and “The Long Prison Journey of Leslie Van Houten” by Karlene Faith. Mr. Rosen, the producer, called it “the needle in the haystack” that led to a new perspective on the subject. Ms. Faith was “the prison-appointed social worker who actually deprogrammed the women and still maintains a strong relationship with them,” Mr. Rosen said.

Ms. Lo, whose film is in preproduction with shooting delayed by financial setbacks, said she found parallels to today’s societal ills, from teenagers who commit mass gun violence to young women who join ISIS. She noted that Manson’s women were abused or felt alienated from their families. “The more educated ones, Sandra Good and ‘Squeaky’ Fromme, just didn’t care for their parents and the type of life they were growing up in,” she added.

Viewers will decide how much Manson and his deeds are relevant today. Of all these projects going forward, Mr. Rosen said, “They’re going to live and die by the originality — something that will allow people to have some kind of closure or understanding instead of the expected.”

A version of this article appears in print on June 5, 2016, on page AR13 of the New York edition with the headline: Hollywood’s Fixation With Manson.


New York Times

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Re: In Hollywood, a Focus on Manson and His Women

Post by sir on Fri 3 Jun - 18:08

Thanks

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Thank you Maria!
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